Mohsen Makhmalbaf’s The Silence (Sokout), the second in his ‘Poetic Trilogy’, is an entrancing entry [...]
For her first and, sadly, only foray into filmmaking, Forough Farrokhzad seamlessly transposed her poetic [...]
At the height of Iranian Cinema’s resurgence in the international festival circuit during the 1990s, [...]
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Returning to virtual cinemas newly remastered, Jafar Panahi’s Crimson Gold (Tala-ye Sorkh) barely seems to [...]
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